Introduction to Figured Bass—For Music Theory I.  This is a supplementary discussion of a the basics for figured bass notation intended to be introduced simultaneously with Chapter 4 of Tonal Harmony by Kotska & Payne.  Based heavily on the teachings of Gregory Proctor.

Introduction to Counterpoint—For Music Theory I.  This is a supplementary discussion of a form of counterpoint loosely based on 16th-century models intended to be introduced simultaneously with Chapter 5 of Tonal Harmony by Kotska & Payne.

Functional Harmony—For Music Theory II.  This is a supplementary discussion of a form of a model of functional harmony intended to be introduced with Chapter 8 of Tonal Harmony by Kotska & Payne.  Based heavily on the teachings of Gregory Proctor.

Essentials of Electroacoustic Music—For Instrumentation.  This is a supplementary discussion of the basic principles of electroacoustic music, a topic shamefully omitted from Adler’s The Study of Orchestration.

Basics of Text-Setting—For Music Theory III, Arranging, Counterpoint and Composition. A no-nonsense approach to the setting of Modern English texts to music.  Based on my compositional experience.